Anurag Kashyap has a lot of talent, says Aseem Chhabra. He just needs to stop making films that are very similar.
'So much sacrifice has gone into Baahubali and it's been worth it. The film is going to be part of history. We never thought we would get such an amazing response. The film has cut across barriers of language and region. It's being positioned as a pride of India. I never envisioned this.' Cinematographer KK Senthil Kumar tells us how he shot the epic blockbuster Baahubali.
'We have created an enemy we can't even see and that enemy is entertaining us while tightening the noose around our necks.' 'As the radiation increases, it will affect everything -- from your little bumble bee to plants to every living cell.' 'By the time the effects are understood, it might be too late.'
Shatranj Ke Khilari remains an accessible, yet deep period film.
'The best Indian movies today are ones that portray life as "something that doesn't end when the movies do".' 'There's no real arc to traverse or easy lessons to learn. And Irrfan and Nawazuddin -- who can both swerve a movie purely on the strengths of their instincts -- are just the perfect actors for this kind of movie sensibility,' says Sreehari Nair.
...But a comedy about Class Wars. Sreehari Nair tells us why.
Bombay Velvet spends too much time on period details and loses focus, notes Aseem Chhabra.
'The way the daredevil feats are set up, they don't have the maniacal feeling of actual gun battles, or good jazz, or a whacked-out dance performance -- they just don't provide you that giddy tingle you go looking for in such films,' feels Sreehari Nair.
Kay Kay Menon gets candid about the film industry.
'In 2015 I watched films in so many places. I attended several film festivals around the world -- Berlin, Tribeca (New York), Telluride, Toronto, Zurich, Mumbai, Dharamsala and Goa,' says Aseem Chhabra, author of a forthcoming book on Shashi Kapoor.
'I'm a rascal, I'm going to play a paramahansa?!'
Aseem Chhabra's recommendations for the Mumbai film festival.
'To be complimented for a fantastic performance after just viewing the trailer! This never happened to me before.' 'If you have given a party a mandate for five years, stop blaming it for everything under the sun.' 'My kind of films do not make stars. Now we, the actors, after years of struggle, have created a parallel industry where we have made a name for ourselves. But stars we are not nor can we be.' 'For a boy coming from a remote village of Bihar at the Indo-Nepal border where no transport was available to commute to the nearest town, even coming to Delhi and then Mumbai and finally watching himself on the silver screen was a huge thing!'
Rediff.com celebrates 40 years of the beloved movie classic.
'Movie plots clearly don't excite director Dileesh Pothan as much as true stories where life had come dizzyingly close to becoming like a movie and then, had fused back with life.' 'This means that a conversation he overhears at a tea shop is more likely to give Pothan a setting for his next picture than a brainstorming session inside a conference room,' says Sreehari Nair.
'Mahesh Bhavana is a young man who is beaten up in the town's marketplace and who consequently pledges that he won't wear his slippers again, till he avenges the beating.' 'But Mahesh can't get his revenge that easily -- his punisher is off to a distant land. So what does Mahesh do? He waits. And the town waits with him. And we wait with him.' 'Maheshinte Prathikaram is one of those movies where I didn't know what hit me. I don't remember another movie -- at least in recent times -- that I surrendered to with such happiness,' says Sreehari Nair.
